As a cycle completes it encompasses events, actions and ideas in a containment of time, dimensions and frail physicality shifting in and out of form. In the civilizations I have created I steady myself as time rounds its corner and take in the view to aid in concepting the oncoming phases.
Flight through air and space allows perspectives where depth and height potentially invert, so what was above becomes below.
In the civilizations I have created understanding the dynamics of flight in these dimensions speaks to ways of perceiving one’s standing at any moment in time. What appears to be a lowest point can, from another angle, be an apogee achieved.
Years of learning evolve into routine and focus shifts subtly to a kind of fog. So what is thought to be success is in truth a sealing off of senses and, in turn, a significant starvation occurs.
In the civilizations I have created a meditation of emptying the mind and an envisioning of infinite points of color and light begins to grow in the vacuum left behind. Open the eyes to the minute details and count each bud on each branch of every tree you pass to take in the reality in which you exist and the dimensions of an inner reality will begin to blossom again.
Waves of chemistry flood the self and like climates shifting the perspective of environments change. In the civilizations I have created it is understood that in the developments of design emotions draw the lines and although aggression can lead to completion a more aligned and balanced process results in a kind of drafting drawn beyond the reading of the eye.
Within the unseen lines that entangle energies a counting occurs. In the civilizations I have created these silent calculations stream endlessly through infinities as threads within a fabric. From this weaving emerges the essence of everything perceived, pondered or presaged. Wear this cloth as a cloak and feel its weight, understand the self as an intertwined strand and allow a seamless integration to commence.
Projects are planned from concept sketches to detailed schematics. As completion nears a kind of fear can take hold for judgement has its potential fulfilled when the final stones are set.
In the civilizations I have created these patterns are predicted. An encompassing view is taken so a deep understanding of the end as beginning can be comprehended. So too, the sense of completion is seen simply as a step in an ever evolving process in which change is constant and nothing is set in stone.
In the civilizations I have created architecture and industrial design are mapped in diagrams aligned with the detailed nuances of thought, so when seeing these schematics a kind of calculation instantaneously begins. Within these markings is the reflection of the mind’s mystery and the eye will focus with deciphering intent to comprehend the substance of these structures.
In the civilizations I have created there are individuals who gain recognition for great concepts and creations. In the bright light of attention they may shine and achieve a status of being known for the form they realized. Yet, this light fades, so paths and passages have been fabricated to facilitate the transition back to a grounding from which deeper explorations can occur.
There is no shame in the moving from state to state, as this dynamic is key, for it is generally not when the light is brightest that the greatest dreams are dreamt.
In the civilizations I have created signs are significant and varied in their form. From the written word directing attention and thought through clear and articulated symbols. To signs of subtlety where winds foretell shifts in atmosphere and the slowly aligning stars give hints at distance and time.
There are those that go unseen and play in the fields of deeper senses. These give the greatest gifts when read with attention, but take a sensitivity to the self cultivated through years of practice and lessons in listening beyond the shapes of sound.
In the civilizations I have created the notion of intelligence is broad and encompassing. The fields of this heighten thought are vast. Examples are gathered, recorded and studied in great halls of scientific and scholarly investigation. The nuances of intelligence span the seemingly simple to the highly complex. But in each example a kind of transparency is achieved, for the ability to see beyond the surface of substance is the instance where intelligence is touched and its form begins to take shape.
In the civilizations I have created there are centers of energy connected with the dynamics of magnetic lines, running water and other natural phenomena intermingling among the terrains. Amplifications occur in these areas and the awareness of the individual can be heightened. These spots are kept separate from centers of urban and everyday existence. For it takes an introspective observing of the mind to fully absorb the transmutational implications experienced at these points and to allow the depth of lessons taught to be learned.
Mechanisms can be studied in the minutest of detail. Through this type of analysis discoveries appear, which momentarily seem to contradict the deepest source from which the mechanics were thought to arise. Yet, as iterations occur a cycling back proves the contradictions lacking and a return to the originating inspiration is often validated. It is in this transitioning between the abstract and the material that perspective becomes skewed.
In the civilizations I have created experiments in material mechanics are understood to be an illusion of sorts, intended not to uncover truth, but to expand the capacity of the mind as it explores in the infinitely morphing maze of perception.
As seasons shift, colors, atmospheres and all kinds of qualities change. The world is tied to systems within systems exponentially compounding. In the civilizations I have created celebrations occur to mark these transformations. Festivities give notice to realign the mind. Realities once familiar will disappear in phases under snow or sun and temperatures, textures and tides transform into otherworldly realms in cycles endlessly repeating themselves.
In the civilizations I have created to travel in time is possible, but requires a deep understanding of the experience, patterns and cycles of time. The substance of time must be accumulated, an individual must acquire a sufficient sense of time, its nuances and the dynamics experienced by the self as it navigates the converging currents that make up time. Once this has been achieved an envisioning of what one would do if able to travel back in time is possible. In this envisioning it is key to understand the self in the present and the self in the past and that the current self is also the future self from the perspective of the previous self. When these identities can be comprehended the fundamental algorithm has its form.
The next step is to understand that the currents converging are extensions of various options available and that the paths chosen or denied are interchangeable. When envisioning the self in the past pay close attention to what desires emerge and the patterns that tie these desires together throughout different eras of time. If certain commonalities can be conceived a key can be carved.
It is at this moment the present self can understand the pattern projected into the past is the same as will be projected from the future. And so the substance of traveling through time can occur. The pattern recognized in the present contains the options persistently desired. The present can then be informed by the projection from the future and the overlooked options become clear paths, which can be taken up and traversed.
In the civilizations I have created economics is seen more as philosophy than science. It relates to the heart and mind more than the material of physics and form. The delusion that it lives outside the emotions is an illness treated with care and caution. For I have seen civilizations collapse when monetary mirages are studied as forces rather than as accepted fictions written in elaborate mathematics entwined with the psyche.